Global News, The Shoe on 16×9


This past December the Horseshoe Tavern turned 65, becoming one of Canada’s oldest live music bars.

For almost 20 of those 65 years, Dave “Bookie” Bookman has been hosting “Nu Music Nite” every Tuesday, where unknown talent takes the stage.

“So [we] have a night where it’s free, it can be community oriented, and people can come out,” says Bookie. “You have a big band, a small band, and you share the stage.”

That’s The Horseshoe’s legacy. A place where music comes first and anything can happen.

The Rolling Stones, The Tragically Hip, The Foo Fighters and many others have challenged the Horseshoe’s maximum occupancy during surprise shows.

“If you’re a musician you imagine yourself playing on the hallowed ground,” says Bookman. “Much like fabled arenas and stadiums like Yankee Stadium or Wrigley Field, Fenway Park, Maple Leaf Gardens, or Madison Square Garden.”

From the music fans’ point of view, the Horseshoe a great place to see huge acts on a small stage.

“For 25-year old music fans you’ve got pictures of your favourite bands playing there and you’re hearing about events that happened there,” says Bookman. “Especially special events, like bands having seminal gigs there, coming back to play small gigs.”

Nu Music Nite is about both sides of the stage – giving fans new sounds and giving musicians new fans. The result is a perfect environment for aspiring rock stars to get their big break. Several Canadian acts have kicked off their careers in the tiny backroom venue.

“I know Nickelback had the people fly in from Roadrunner [records] to see them specifically,” says Bookie. “After their Tuesday night set here, they got signed.”

The Horseshoe doesn’t discriminate – it doesn’t have a specific style, no image to conform to. It’s not too big or too small for any act. True to tradition, Bookie’s had over 3000 bands play Nu music Nite over the years. He says this is an important part of the event’s success.

“The magic is in the music and the music is in the Horseshoe,” says Bookie.
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by Alan Carter, Mia Sheldon, Nick Goldhawk



Joel Plaskett Honoured with Queen Elizabeth II Diamond Jubilee Medal


Over the course of two decades in the music industry, East Coast icon Joel Plaskett has become one of Canada’s best-loved songwriters. Today (January 4), the former Thrush Hermit singer was deservedly honoured by the Crown when he received the Queen Elizabeth II Diamond Jubilee Medal.

This medal was created to mark the 60th anniversary of Queen Elizabeth II’s ascension to the throne and its mission is “to honour significant contributions and achievements by Canadians.”

In a post on Facebook, Plaskett revealed that he had received the award.

In order to be eligible, a recipient must be a citizen or permanent resident of Canada, and must have made a significant contribution to Canada’s culture or communities. A total of 60,000 medals will be handed out.

Read about the medal here.

by Alex Hudson, Exclaim!




Song of the Day “Harbour Boys” on KEXP 90.3 in Seattle


Every Monday through Friday, KEXP 90.3 Seattle radio delivers a different song as part their Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Today’s selection, featured on the Afternoon Show with Kevin Cole, is “Harbour Boys” by the Joel Plaskett Emergency from the 2012 album Scrappy Happiness on Maple Music.

When his band of eight years, Thrush Hermit, broke up in 1999, Canadian songwriter Joel Plaskett began his solo career, but it wasn’t until he teamed up with the backing duo of drummer Dave Marsh and bassist Tim Brennan (also known as The Emergency) that Plaskett’s career started taking off. Since his inaugural outing with Marsh and Brennan in 2001, Plaskett has toured on four continents, produced or performed on a number of albums nominated for the Polaris Music Prize, and picked up a handful of Juno nominations, including a nod in 2006 for Songwriter of the Year. (He shamelessly lost to “Wake Up” by Arcade Fire.) Now on his fifth album with the Emergency, Plaskett is moving gracefully into the elder statesman role he’s somehow always embodied. Shimmering with melodies recalling latter-day Springsteen, “Harbour Boys” finds Plaskett trading the Emergency’s punchy rhythm in for the tone of a 12-string acoustic guitar. Armed only with his voice and his guitar, Plaskett rallies against the troubles of this world, encouraging the listener to lose themselves in a record sleeve or a sunset, and with a voice as quiveringly earnest as his, it’s hard not to.

Joel Plaskett has a trio of Canadian solo shows planned in February, but if he announces any other tour dates for 2013, you’ll hear about them first on his website and Facebook. Watch a video of Joel playing a solo acoustic version of “Harbour Boys” for the Canadian Broadcasting Company.

by Jacob Webb, KEXP 90.3 Seattle



NOW Toronto, Joel “I want it to be a party.”


When you’ve had an 18-year-long career in music, like Joel Plaskett, you’re bound to have a few good tour stories. He’s played everywhere from the top of the CN Tower to Massey Hall. But when it comes to smaller venues, there’s one gig that stands out for him: at the Horseshoe with his old 90s band, Thrush Hermit, bassist Ian McGettigan decided to experiment with blowing fire.

“It went up to the roof. I remember thinking, ‘We’re going to burn this place down,’” the Nova Scotian musician recalls. “There are still burn marks on his guitar.”

Don’t expect similar displays of pyrotechnics at Plaskett’s upcoming five-night stand with his band, the Emergency, as part of the venue’s 65th anniversary celebrations, though he’s still unafraid of shaking things up.

For this year’s Scrappy Happiness album (Maple Music), he took a new approach that saw him recording one song a week for 10 weeks. While he admits the process was exhausting, he also says it was creatively liberating and taught him a valuable lesson about embracing his music’s imperfections.

“The hardest thing was keeping momentum because I wasn’t able to pause,” he says. “I wanted to see if I could turn on the tap and be creative under pressure.”

Between sporadic tours this year, Plaskett also found time for one of his other loves: production. While he’s always had a hand in producing his own records, not to mention ones by Sarah Slean and Two Hours Traffic, he pulled triple duty co-writing, playing on and producing 22-year-old Nova Scotian singer/songwriter Mo Kenney’s self-titled debut album.

Kenney is one of the special guests at the Horseshoe shows, which includes an all-ages performance on December 16. Back in 2007, Plaskett also played five consecutive nights for the bar’s 60th anniversary, and says he’s honoured to have been chosen again.

“It’ll be the perfect cap to the year. We’re going to keep it interesting. Not to sound lazy, but my approach this year has been to take each day at a time and not get stressed out. I want it to be a party.”

by Max Mertens, NOW Toronto



Joel Plaskett: In Pursuit Of Scrappy Happiness


Record by record, song by song, Halifax’s Joel Plaskett has built quite a reputation for himself in Canada and beyond. After getting his start with rock band Thrush Hermit in the early ’90s, Joel has since become a formidable solo artist with eight individual album releases.

In addition to winning numerous East Coast Music Awards, a Juno Award and numerous Music Nova Scotia Awards, he has performed with Paul McCartney and has also become a go-to producer for artists including David Myles, Sarah Slean and Mo Kenney, who is opening Plaskett’s show at the Capitol Theatre Saturday night.

After his sprawling 2009 record Three which was comprised of a whopping 27 songs spread across three discs, Joel went back to basics for the making of his latest record Scrappy Happiness. This isn’t to say that Joel allowed himself to settle for just any batch of songs;, it was the unique way in which he made the record that is worth noting.

‘I knew from the outset that it was going to be a challenge to follow-up Three ,’ Joel acknowledges. ‘ Three was so structured and so conceptual that eventually I had come to the conclusion that the best way to make a follow-up record was to have no time to think about it. Just get into the studio and do it.’

Just ‘doing it’ involved Joel writing 10 songs in 10 weeks. And while to some this might not sound like a daunting task, he bucked the trend of recording all the songs, mixing them and then releasing them. Instead, he wrote, recorded, mixed and released each of the 10 songs weekly. Once all 10 songs had been released, he then compiled them all and thus his newest record Scrappy Happiness was born.

‘In the time leading up to recording these songs, I had more than enough songs written. Only a handful of them had been played live but what made these songs different is that I made a point of not recording any of them prior to going into the studio. I didn’t want to make a demo and then spend a whole lot of time trying to replicate that energy and trying to make it sound more polished. It doesn’t end up being quite as magical though, so I figured that I would try to capture as many first takes as possible.

‘I didn’t want to be hung up on the recordings if they weren’t perfect,’ Joel says. ‘In the early days of rock’n’roll, singles were released as fast as they could press them. Even these days, an artist only has a small window where their record is considered fresh. When I listen to Scrappy Happiness today, it still feels and sounds really fresh to me.’

Joel says that while Scrappy Happiness still sounds fresh to him even 10 months after he recorded the songs, he also feels that the record boasts more of an eclectic sound when compared to Three . He attributes some of the more playful nature of the record to the fact that he has his backing band The Emergency, comprised of drummer Dave Marsh and bassist Chris Pennell, performing on the bulk of the tracks.

‘There is definitely more of a group personality running through this record,’ Joel says. ‘There is a playfulness that happens when we play together as a band and I think you hear that on this record.’

Joel recently completed an extensive two-week tour of Newfoundland where he performed throughout the province in many of their arts and culture centres. Having played St. John’s but few other places in the province in the past, this tour gave Joel and his band mates a renewed vigour to needing to win over new fans during the shows.

‘All of the shows were great but at some of the shows, I would make a point of asking how many people had seen us live before and only a small group of people had seen us live. Being back at a point where we needed to win those newcomers over was a nice challenge, to bring it back to what it’s all about.’

Admitting that the Maritimes have been a ‘late piece of the touring puzzle,’ Joel has spent much of 2012 on the road. There was a national tour this past May and he recently completed a run of acoustic dates through Western Canada.

‘This year has been all Canada in terms of touring and it has been a lot of fun. There has been a really great energy among us. Everyone is in good spirits.’

At the time of this interview, Joel shares that he is looking at the possibility of performing some shows overseas in the United Kingdom as well as a run of shows through the United States. One thing that he is fairly certain about, however, is that he does not anticipate devoting as much time to promoting Scrappy Happiness overseas as he did with promoting Three .

‘I am still very interested in picking up international opportunities when they look good and will be worthwhile,’ Joel says, while adding that making sure touring remains a financially viable thing is necessary as well.

‘I think one reason why we have stayed pretty close to home thus far with the promotion of Scrappy Happiness is due to the amount of touring behind Three. It was a lot of travelling and while it can be tough to break into new territories, I definitely want to play for anybody I can. It is just a matter of being a little more selective with respect to the opportunities I pursue.’

by Ken Kelly, Music Nerd Chronicles



[Podcast] Music City Studio Interview


Every week the Music City Podcast explores independent Canadian music. Included in each episode are artist interviews, artist spotlights and of course music from all the bands. Music City Studio included Joel in their music podcast (Episode 17), which you can view and download for free, here. The show is hosted by Vincent Jones and produced by Mike Pedersen at Music City Studio in Kelowna BC.